DUBOIS Ernest-Henri (1863-1931) - Lot 252

Lot 252
Go to lot
Estimation :
10000 - 15000 EUR
Result with fees
Result : 49 856EUR
DUBOIS Ernest-Henri (1863-1931) - Lot 252
DUBOIS Ernest-Henri (1863-1931) Le Pardon, model created circa 1894 White marble group, signed "Ernest Dubois" (dust) Height: 75 cm Related work: -Ernest Dubois, Le Pardon, 1895, marble group, signed "Ernest Dubois" on the rock, H. 210 x W. 110 cm, Paris, Musée d'Orsay, inv. RF 1274; -Ernest Dubois, Le Pardon, plaster, H. 214 x W. 112 x D. 140 cm, Arras, originally from the Musée d'Arras, now apparently on deposit at the Musée de Laval (inv. 8.1.1922); -Ernest Dubois, Le Pardon, 1909, marble, H. 210 cm, Copenhagen, Ny Carlsberg Glyptotek. Related literature: -Anne Pingeot, Antoinette Le Normand-Romain, Musée d'Orsay: catalog sommaire illustré des sculptures, Paris, RMN, 1986, p. 270; - "Le Prix de Paris et les Bourses de voyage", in Le Petit Temps, June 20, 1894; - La musique et le théâtre à l'exposition des beaux-arts", in Le Ménestrel, June 4, 1899; - Les médailles d'honneur du Salon" in Le Monde illustré, June 3, 1899. In an attitude of repentance, a kneeling young man abandons himself before his father, who tenderly welcomes him in a burst of mercy. This scene relates the parable of the Return of the Prodigal Son from the Gospel according to Saint Luke (15:11-32). To illustrate the idea of forgiveness, sculptor Ernest-Henri Dubois depicts the return of a ruined son to his parents after spending his inheritance. A native of Dieppe, Ernest-Henri Dubois trained at the École des Beaux-Arts in Paris with Alexandre Falguière, Henri Chapu and Antonin Mercié. A member of the Salon des artistes français, he regularly exhibited his work there and was awarded a travel grant in 1894. That same year, he presented a plaster version of his Pardon group at the Salon, for which he won a first-class medal and was commissioned by the French government to create a marble. This marble, presented at the Salon of 1899 and then at the Universal Exhibition of 1900, before being assigned for a time to the Musée du Luxembourg, won him recognition from the jury and the public. Here, Ernest-Henri Dubois departed from his classical training to accentuate the pathetic character of this biblical scene. The beautifully modern composition is reminiscent of the works of Camille Claudel and Auguste Rodin, who were revolutionizing sculpture at the same time. Dubois pays particular attention to modeling the emaciated body of the guilty son, whose face is hidden in the hollow of his shoulder. Following the success of his group Le Pardon, Ernest-Henri Dubois produced a bronze edition.
My orders
Sale information
Sales conditions
Return to catalogue